New album and tour September ‘26

General News

Here’s the release blurb:

Twenty years after his debut, ‘The Complete Guide to Insufficiency’, David Thomas Broughton continues to craft music that intertwines beauty and discomfort, spanning solo projects and diverse collaborations. His discography includes 2007’s one-take album with jazz-folk quartet 7 Hertz, 2010’s ‘Outbreeding’ produced by Andy Ramsey (Stereolab), the feedback-laced ‘UnAbleTocassette’ from 2013, and 2014’s ‘Sliding The Same Way’ with vocal trio Juice. In 2016, he collaborated remotely with various artists on ‘Crippling Lack’.

His new album ‘Heavy Thoughts’ is an improvised trio recording with pianist Matthew Bourne and drummer Neil Turpin. This Leeds-rooted trio pull together to create unpredictable performances that move fluidly between song and abstraction. Neil & Matt perform improvising explorations around David’s snippets of words and guitar. In turn, David responds to Matt and Neil, building and dismantling loops that can be subtle, often harmonious, sometimes obtuse.

We’re delighted to announce the release of ‘Heavy Thoughts’ on limited first pressing of 300 colour vinyl on David’s new label imprint TOMO/OTO. Hard-to-find back catalogue also now available.

Pre-order via link

I am on tour throughout September, playing solo and as a trio. The EOTR trio is Me, Matt and Neil. Unfortunately Neil isn’t able to join for the other shows, but a super guest, Will Glaser, will be joining for other shows. And exclusive to the London show, none other than Charles Hayward will take on percussion for the trio:

  • 06/09 End of the Road Festival
  • 09/09 Dublin, Ireland – Venue TBC – solo
  • 11/09 Oslo, Norway – Venue TBC – solo
  • 12/09 Bergen, Norway (info) – solo /with Rob Noyes
  • 13/09 Waiting Room, Eaglescliffe – TICKETS /support from Aurora Engine
  • 14/09 Lubber Fiend, Newcastle – TICKETS /support from Faith Eliott & Viking Moses
  • 15/09 Pianodrome, Edinburgh – TICKETS /support from Faith Eliott
  • 16/09 Rum Shack, Glasgow – TICKETS /support from Faith Eliott & Howie Reeve
  • 17/09 Bookshop On The Square, Otley – LIMITED SPACE – solo
  • 18/09 Bishop’s House, Sheffield [sold out] – solo
  • 20/09 The Tree House, Frome – TICKETS /support from Sylvie Grey
  • 22/09 Foyle’s Lounge, London – LIMITED TICKETS /support from Gentle Stranger

Wrote this a year ago, and it remained in draft until now.

General News

It is the year 2020, we are all so severely brought down by the weight of absolutely everything. Unbelievably, we seem have carried on regardless.

In November last year I pootled off around the UK in a car. Yes. I know! I was presenting a performative look back at my debut record ‘The Complete Guide to Insufficiency’.

This is roughly how it went:

Setting off Bell Lungs - Manchester Bell Lungs - Cardiff Merch - DTB and Thor&Friends Bush Hall stage Hyde Park Picture House

The first show was a very intimate affair up in Eaglescliffe at The Waiting Room. Getting into my stride as far as facing an audience again goes. Being so familiar and friendly it’s a good place to start. I took the uncertain step of actually talking to the audience and didn’t feel uncomfortable about it. I think it might be something to do with my age and my new status as a a father. The next day in Cardiff – The Moon – this is a proper music venue with sticky floors an matt blackness. A bigger audience. I still went off with the chit chat. I subsequently went right in with the improv stand-up routines jammed betwixt my maudlin songs. Manchester, Glasgow, Edinburgh, etc etc… Joined by some of it by the inimitable Bell Lungs, who joined me for parts of my set. A couple of shows with Merz, who had come over from his new base in the USA to promote the 20th anniversary of his first album. I didn’t mention how I had excitedly awaited it’s release all those years ago, in the same month as I excitedly awaited the release of Peloton by The Delgados. Anyhow – two big shows were the Leeds one at the Hyde Park Picture House, where I didn’t have the foresight to stop the looped projection at any point during my performance, and the London shebang down in Bush Hall. What a wally I was. A film of that show is available to stream somewhere.

So, those were the beforetimes.

Onward.

David

EDIT: I have since relocated to Tokyo. I will endeavour to provide an update when pandemic fatigue allows. Mange tout!

 

 

 

TOUR STARTS TOMORROW

General News

15 years since the birth of ‘The Complete Guide To Insufficiency’ I’m celebrating the fact with both a tour and a vinyl issue of the album.

17th November – Stockton, Waiting Room (Tickets)
18th November – Cardiff, The Moon (Tickets)
19th November – Manchester, Gullivers (Tickets)
20th November – Glasgow, The Blue Arrow (Tickets)
21st November – Edinburgh, Summerhall (Tickets)
22nd November – Lancaster, Hall Cafe (Tickets)
26th November – London, Bush Hall (Tickets)
27th November – Oxford, Florence Park Community Centre (Tickets)
29th November – Leeds, Hyde Park Picture House (Tickets)

And the album – although I have some advance copies available to purchase from me on the tour – is available to pre-order here:

https://songbytoadrecords.bandcamp.com/album/the-complete-guide-to-insufficiency-2019-remaster

Tour November 2019

Belated tour diary from China

General News

I mentioned a while back I was returning to China for a few days….

youtube playlist – tour diary in 3 episodes

This is what happened:

Day 1: Wuhan

Head straight to Sense Club Records to hang with Ryan and his crew.

I play the first show, throwing myself through a couple of small amps and practicing with my new set-up of an electric guitar through an iRig in an iPod Touch.

A take-out dinner of lovely gingery tofu and fish soup with rich and a side of delicious aubergine and green beans.

Not long after the show we head off to collect a few things at Ryan’s before catching a sleeper train to Xiamen.

If you haven’t caught the sleeper in China then here’s the drill: Sleep on a board. Shit in a hole. Wake every five minutes to the sound of snoring, or the scent of pot noodles.

Train stations all have andy water dispensers to fill up your flasks. Great, was looking for some refreshing cool water to save on buying bottles. Ouch! Those taps dispense only boiling! That for tea, you dunce!

Day 2: Xiamen

Make our way to the Venue and Hotel. They are close by each other in a creative corner down by a small inlet of sea. The feel of Xiamen is lighter and fresher and coastal. Almost Mediterranean. Where we are I feel old.

We’re guided to a seafood restaurant which provides us a tasty fill. Simply done broiled fish in chillies and ginger, fresh greens and egg. Washed down with a refreshing beer.

The venue ‘Real Live’ is a cosy cafe type of place (I don’t play the larger live space behind the curtain). Fair enough, I’m not drawing a big crowd. I feel much more comfortable in these more intimate spaces.

After I play the staff walks over with a bottle. “That man bought this for you” she says, gesturing toward a couple making their way out of the venue. The man turns before they exit to give an appreciative nod. Well at least one person liked it, or as I often fear, felt compelled to buy me a beer in commiseration.

Ryan and I take a leisurely evening stroll and find a balcony to overlooking the port and a beer to sip. In this humid time, as you all know, one doesn’t feel like doing much.

Day 3: Fuzhou

Wander Xiamen for some breakfast (noodles) before struggling to hail a taxi to the station. We end up resigning ourselves to the more expensive route of a direct taxi to the main train station, instead of out cheaper idea of a short taxi ride to the subway to then take said subway to station. Tour compromises/cheapskate’s dilemma.

Another impressively cavernous train station to catch an ambling train to not-so-far-away Fuzhou. Some European dude in front of us in line to collect tickets remarks “Whats the point of these fast trains when you spend so long queueing for tickets” or some such needless witticism. I fail to have the brain speed to respond with anything but a throttled “heh, yes” when my long-form idea would be to set him straight on the assumption that we are all getting fast trains and his lack of realisation that the Chinese can use their privilege as natives and use the automated machines. Nevertheless, he did nothing wrong and I am just a dull misanthrope.

Fuzhou greets us with another out of town station to subway ourselves closer to our destination. We pop up in a skyscrapered fancy-pants district – and a Super 8 hotel. This US chain boasts a trio of 70’s founders on the poster in the elevator (Look like a young Des Lynam, that other one from the Likely Lads, and Judge Rinder).

Opposite the Hotel is the preserved (or renovated) alleyways, all smart and clean but unsuitable for wheeling my now broken suitcase along. But this is where the almost idyllic creative space of Maker Live is.

Some really tasty starchy chewy noodles later and we’re sat with a coffee waiting for soundcheck. An odd indoor stage with a  square of standing floor space roughly the same size.

We have some interest in merchandise and some of the art-student types seem on-board. We sit and drink afterwards at the invitation of some of my audience.

Not much time after this to do anything but get some well-earned kip.

Day 4: Yiwu

After a complimentary breakfast of rice and greens, congee and tomatoes, we head back out to the rail station to catch a very speedy train to Yiwu. “The world capital of small commodities”

Reaching speeds of over 300kmph we arrive at Yiwu which feels pretty lush and green, scattered across some gentle hills. As we clamber off the train a couple of musicians clamber on in our stead. Turns out they played Gebi the night before.

Gebi is set up in an old temple in the hills overlooking Yiwu. It is a tumble-down creative space, run by live-in musicians, and housing a secluded recording studio. Underground pioneer, Shengy, of White+ and Carsick Cars, happens to be out here recording at this time.

Such a wonderful place to play – very relaxed and freeing.  The food delivery from a local restaurant was also really great, albeit washed down by filthy local alcohol.

Day 5: Hangzhou

Our train trundles in and a taxi drives us up to the Blue Danube Hotel by the small canal under the shadow of the overpass. Trees and running water makes for a relatively pleasant place to stroll in this muggy season.

In contrast to casual crumbling Gebi the Hangzhou venue is a big ‘livehouse’ in a spanking new shopping centre in neat and tidy Hangzhou. A place where cars stop at zebra crossings!

Snipped to a half-hour set mid-bill it’s a different show to the others where I was the only player -but this means I’m playing to a larger audience. I feel like it went well, and so does a reviewer. I chat to some Yorkshire expats who recall my performance at Moor Music in the late 2000s. World indeed small.

youtube playlist – tour diary in 3 episodes

SUMMER FESTIVAL NEWS

General News

Hi All,

Sorry I haven’t updated this site for a while – I keep intending a full refresh but things always seem to get in the way.

UK

I am back to the British Isles this summer!

End Of The Road Festival: Make sure you’re around the tipi stage early Sunday afternoon.

Fort Process: I’ll be getting to explore a bit more for this one, in some interesting crevice of Newhaven Fort, East Sussex.

CHINA

In a couple of weeks I head back to China for a handful of shows.

7.16 – Wuhan. Sense Club Records
7.17 – Xiamen. Real Live
7.18 – Fuzhou. Maker Live
7.19 – Yiwu. Gebi 
7.20 – Hangzhou. Mao Livehouse

More news to come, but get onto this for now.

Cheers,

David