Sliding The Same Way.
CDs have finally arrived and will be on their way to you now.
They look lovely by the way.
CDs have finally arrived and will be on their way to you now.
They look lovely by the way.
I’ve managed to organise a tour for the new record which is meant to be ready in September. The collaboration between me and Juice vocal ensemble.
Show one is meant to be End of The Road festival!
All of us can make it! Anna and family are in The New Forest anyway, on holiday, so it all works out perfectly…. Until Anna gets really sick. The Snows have had to go home to York. Were down to two Juice. Nevermind. We have flexibility for accommodating any arrangement of people. And Sarah and Kerry have performed with me a couple of times before when I’ve passed through London. Cut to the Larmer Tree Gardens. I’ve been sleeping in a two man tent I bought that is not even big enough to accommodate me, my head pushes the thing one way and my feet the other, at least the rain is kept outside of it. That is until it drips in. With ample sleep I indulge in on-site breakfasts and lonely strolls. Occasionally familiar faces sit with me but I generally have my thoughts. I’m not performing until Saturday and The Juice pair are not arriving until then either due to other commitments. It’s been nice to catch up with people, Simon, Sofia, Sam, Zoe, James, Kai, Joe, Marissa, Hollie, Cass, Phil, Howard, Dave, Dave, Greg, Sarah, etc. Here is a summary of the show at the tipi tent as part of Mojo festival summary.
A small gathering saw us struggle on Sunday with unplugged set in the woods. Moving under the awning at the dance floor boat area in the woods helped out. During the rest of the day I also play a couple of songs for Line of Best Fit, which, you know, they’ll never use….and for the radio show of Bram Thomas Arnold, Trail Mix, which they all listen to in the Falmouth area. Missing some great bands was a downer. Seeing some great bands was a bonus! Insulting the headliners and some of the audience, great!
A shaky start to the rest of the tour ensues a week later…perhaps, but momentum is realised and accumulating feelings of success gather towards the end of the month of September.
The first meet up with Juice is in Eaglescliffe, near Stockton-on-Tees. I meet Anna in York to drive up to meet Kerry and Sarah from the train. They are already sat with a tea in the Waiting Room Restaurant. It is a nice intimate show to start the tour. People are eating the beautiful vegetarian food, while listening to the performance. I can’t recall the details, I know there was a bottle count and some squeals and a broken microphone. Fuelled with a delicious dessert we drive back to York for the night.
Kerry, Sarah and I train it up to Newcastle. The impressive reading room (library) of the Mining Institute is few seconds from the station and is our setting. Tall stained-glass windows, imposing portraits and shelves of books lining the walls. An industrial history of northern England staring down on us as we present some of my new songs, the songs I’ve done in collaboration with Juice. Themes running through of industrial decline and small town frustration seem slightly fitting. Unfortunately for most of Newcastle, they didn’t come to our show. The few that attended were polite enough to say some kind words about the show. Our show was opened by Nev Clay.
Shaun clears some spaces for us to sleep. We wind down with a chat and a glass of wine.
In the morning Kerry and Sarah dash off back to York for some work with Anna, I remain for the morning. Shaun and I breakfast at the Scrumpy Willow on vegan delights. And proceed to stroll the town, or ‘Toon’ as it’s known. Notably we take in the Laing gallery and luckily the last stop of a touring, Jeremy Deller curated, exhibition on the birth of the industrial working class. All That Is Solid Melts Into Air. Perusing the fascinating and humbling collection, we take in song sheets of worker songs and hit the jukebox of archive voices… darker than a dungeon and damp as the dew. I leave as inspired as I was after seeing Richard Dawson perform.
My turn to dash off.
From York station I’m collected by the Juice ladies. I have luncheon of vegetable pasty and potato wedges, and an earl grey tea. We drive to Sheffield. On the way, Sarah peruses the internet roaming from her phone. A review of the album has been posted. Clunky and shying from brevity. It proceeds to describe each song. Nevertheless positive. The outlook is good. We’ve been told of good pre-sales in Sheffield. Sofia treats us well indeed!
A photographer is there. He is the venue photographer. It had occurred to me that we had no group photos so I got him to take some promo snaps of us. Sitting on an oil can, propped up at the fireplace, sat by a piano, of course. Thanks Duncan.
A stream of people file in. I’m setting up my merchandise. Familiar faces arrive. juice prepare to take the stage. Hey are opening the show with their own set. A full room greets their pieces with appreciation. It’s a fine show.
It turns out that two people were brought here by false information. They leave after I’ve walked the room and placed my cassette player on their table. A very good show indeed. Everyone is boosted by this and looking forward to the rest of the tour…. We now have a few days off. Well I do. Juice have work to do elsewhere. We’re to meet again after I have collected the van. I’m scheduled for a couple of solo shows.
A last minute addition is a date in Dublin, with a lovely group of people putting on shows as Young Hearts Run Free presents Golden Factories, as part of Dublin Fringe. Siobhàn had contacted me about playing, and followed up this with a hello at End of the Road festival.
Dublin…. Greeted at Dublin airport, taken to festival office, check into hotel, meet Allan (Town Planners, Milton Keynes) and do an interview, I’ve known Allan for some time so I ramble on into his ’80’s cassette dictaphone. We then meet Mark (Woodpigeon, Calgary), whose flown in from Finland to play this show. We drop his stuff at my hotel for safe keeping and WALK the city for a quite a while. Allan entices us all the way to see a fountain of spurting penisies, which disappointingly are obviously bull rushes. Mark buys underpants.
At the venue… Meet Adrian (Crowley, Dublin), a pleasant chatter and chit. Soundcheck, a long list of acts pass through the stage this evening. Guitarists, fiddlers, passionate singers, Adrian’s spoken word, Roddy Doyle’s devastating story, Mark’s gentle sad songs and loops. The venue lent itself to a fairly sparse looping from me with much off-mic singing into the vaults. Mummified saints are held in the tombs beneath the church. Here be photos. A nightcap of an Irish single malt and I’m done.
From Dublin I fly to Edinburgh. I take the tram into town passing out-of-town science facilities and retail outlets… I’m directly heading to the Electric Circus. Waiting outside the door of which is Rob St. John and Robin Allender. I’ve cajoled them into playing with me in the absence of Juice. It seems all too rushed and I know I’m driving the van away first thing in the morning to get to Leicester via York and Nottingham. What fun!
Nevertheless something great will happen anyhow… Rob has brought a synth, and Robin a trusty guitar. They fill out my night and we have a fun time playing. The small audience seem to enjoy it. A full report was penned here.
So the morning comes and takes me driving south. The A1 all the way to York.
Anna jumps in with Imogen, were dropping her off with Anna’s parents before heading to Leicester for the show. Of the other two, only Kerry can make this show, in fact, she’s opening the show too, as You Are Wolf. Among many surprises was turning round to find them both on the floor as if sleeping. Before the show we had a panic then relief as our Magic Teapot promoter had booked hotels at great expense, that we didn’t need, glad he was able to get a last minute refund and not lose as much money on the (not very well attended actually Leicester, disappointing Leistonians don’t know a good thing when it comes to town) show as he could have done. Chat a while with some new fans. Drive back to Keyworth for our kip. It was, although I do say so myself, a really great show.
In the morning we set off for York. Our show is at City Screen Basement. This odd shaped cavern lends itself to a rather uncomfortable show and a polite York audience. I’m not sure what was taken away from it, but some kind people said thanks, maybe other were thinking hard about their decision to come that night. It turned out to lean more towards the comic this time. Again, only Kerry and Anna, and slightly more people than in Leicester. Thanks for Alicia Casper opening for us. And for the lovely food cooked by our host – heavy on the star anise! Disappointingly the night rounded off with Ed Snow’s bike being stolen!
I’m off to Liverpool for another solo show…
It’s interesting, I drive across the pennines and navigate successfully into Liverpool. Did I tell you I’m not using sat nav (or ‘nag’ as it is trying to autocorrect to)? I never have used it, we did used to do this without it. Anyway, I happily drove the wrong way, panicked, backed into a bollard, creating a lovely concave section of bumper. Don’t tell the bizzies! It was nice to meet some new folk, with his skewed pop tape cassette and organ fun, the multi-faceted artist Chiz Turnross kindly put me up the night and provided lovely conversation and we had a nice veggie breakfast in a pretty nice end of town. And it was nice to see old familiar faces. Haress is David And Liz, who had me over for their Sin-Eater festival in Shropshire…
The next day is spent in Manchester. It is a day off on Saturday, after hanging out with Nick Mitchell for a while I was encouraged to join in with Nick’s band at an all-dayer. The mistake was drinking beer and trying to compete with the cacophony of many guitars. My voice was not ready for the following night…
…But soothed by some tea and a hot toddy mid set, Manchester, upstairs at Trof in The Northern Quarter, competing with the music on the stereo (riffing with Beck) proved to be one of the best shows yet. The intimate space seemed to lend itself to a shared warmth with the crowd. Juice surprised me by bringing some people up on stage to sing!
Anna has to leave to get back to York, she’s missing Mondays.
In the morning I’m picking Sarah and Kerry up from travelodge in Salford, to drive to Norwich. After a long drive from Manchester we are delighted by the quaint setting. The downstairs of the Bicycle Shop Cafe, a lovely room. And a lovely show. Not packed by any measure, but a nice space to play in. The delicious food we were served set us up nicely. Despite some difficulty regarding our accommodation for the night we set off for Cardiff rested. Swinging by Stevenage to collect Anna. Collecting a few groceries while we wait. we resume the trip to get to the M25, M4 then Cardiff. Joy Collective’s Will is ready with hotels for us to check into and a dish of hot food when we get to the venue. Feeling very well looked after, all three juice launch into a very cheeky mode during the set. Adjusting my clothes as I sang and swapping shoes and watches. All very surprising. And if you like birds, as I do, you may find this review as lovely as I did. Some of our party had not tried Wetherspoons’s breakfast before. We treated ourselves to such. A large vegetarian set me up right the way past lunch. we commence the short drive to Bristol.
Oh, Forgot to mention Oh Peas! who made the poster and played at this show, and Trust Fund.
Bristol, we are being given accommodation at a friend of a friend, the artist Kathy Hinde. Her bird based and musical installations are something of wonder. I need to investigate her work more. She is away at Ynis hir, on the west coast of wales, preparing an audio visual installation. Their home has been maintained in a kind of old-lady-died-and-never-redecorated-since-the-seventies style, complete with lovely avocado suite. Anyway. Onwards to the show, in the grain barge, the underbelly bar, fuelled with fish pie we have a great set, more wandering and magic. Juice were able to perform a set of theirs first. Brilliant stuff. Favourable reviews here and here.
Oh, I forgot to mention, on our way to Cardiff we heard news of our show with Hubby in Cornwall being pulled due to poor sales and general not knowing what to do. This did give us more than we bargained for in terms of rest days. We zoom up north. The girls use the time working in York, and I with family in Otley. Saturday we are to play Leeds.
Organised in association with Opera North, a contemporary folk type event as part of Recon festival. We are playing alongside James Yorkston. Suitably well treated and given enough cash to have a substantial (if overpriced) curry down Akbars. Some awkwardness and a quiet sound it seems. Sarah fell off a chair! Also, not often seen the need for four sound engineers!
London. Good to see a female sound engineer. Notably better than lots of the guys we’ve dealt with. I know I’ve kind of run out of steam trying to remember what happened during the sets, I think it is best left to others to provide reviews and ruminations. I know that Juice provided lots of additional delight, both sonically and visually. This show is the farewell to Anna, who has to zip up to York for her monday commitment and her lovely family, sad times…
Nottingham and Neil organises a swift transition throughout soundcheck, food and performance. All sublime of course. An odd kind of feeling is provided by the space and setting, I can’t describe it. Nevertheless something happens and I give what I can, Kerry and Sarah give what they can, there is a melancholy heavier than previous sets, a weight brought down by our consciousness that this is the last collaborative show we will do for some time perhaps.
More Farewells. It would be good to resume this collaboration at some point but we have commitments elsewhere.
Song, by Toad records have issued this short apology for the delay in getting the physical release out. But it is on it’s way!
For the last few days Juice and I have been performing for select audiences around the country. We have had some great shows, and I will go into details once we’ve been to Leeds, London and Nottingham shows, and said our goodbyes.
So. This means you still have time to get ready for Saturday at Howard Assembly Room (opera north) in Leeds. You can still scramble to the ticket booth for our matinee show at Kings Place (16:00) in London. And everyone else, get yourselves together to be in Nottingham on Monday, for the upstairs bar at The Playhouse!
The first song for y’all to get a steel preview of the album…
Sliding The Same Way – David Thomas Broughton & Juice Vocal Ensemble, will be released on Song, by Toad on 22nd September.
The song, ‘In Service’ is a simple song, the bare bones fleshed only by the droning hums and buzzes of my co-conspirators. A bleak picture of a condemned man is painted. A picture of a man that dwells in us all somewhere, sometimes buried deep, sometimes not. There is a tipping point I’m sure, sometimes we may never reach it, sometimes we will.
And merrily we are led away in the happy resignation to whatever fate is held for us. Enjoy!
In preparing some form of way of packaging to sell the downloads for previous albums I was drawn to remember old times…
This track encapsulates a multi-faceted slice of life experience for me. Recorded on my brother’s four-track, recording over a tape I had used to record the foraging activity of blackbirds on York University campus, a genuine life experience captured in the layers on this simple device. The cassette dictaphone used to record the observations still travels with me today, playing the cassettes of squeals and crunches made by old Commodore 64 games I found while clearing an old filing cabinet out during work at the Leeds University. In order to make out the bookend snippets of what was on the tape already, I had to slow down the tape, pushing the song into another world, bringing gravitas to an old casio keyboard.
Well. Onwards. Starting with the End Of The Road festival, now seems that Juice Vocal Ensemble will join me, so expect to hear some of our new record in the melee. This is in advance of us touring it around during September.
In addition to the previous announcement, I can confirm Nottingham on 29th.
Keep your eyes peeled for confirmed shows up on the Songkick which I now link to (click the AUBERGINE).
EAGLESCLIFFE, THE WAITING ROOM – DTB + JUICE – 7/9/14
NEWCASTLE, THE MINING INSTITUTE – DTB + JUICE – 8/9/14
SHEFFIELD, GREYSTONES – DTB + JUICE – 9/9/14
EDINBURGH, ELECTRIC CIRCUS – DTB ALONE – 14/9/14
LEICESTER, THE MUSICIAN – DTB + JUICE – 15/9/14
YORK, THE BASEMENT – DTB + JUICE – 16/9/14
LIVERPOOL , MELLO MELLO – DTB ALONE – 19/9/14
MANCHESTER, CLIMBING CENTRE – DTB + JUICE – 21/9/14
NORWICH, BICYCLE SHOP – DTB + JUICE – 22/9/14
CARDIFF, CLWB IFOR BACK – DTB + JUICE – 23/9/14
BRISTOL, GRAIN BARGE – DTB + JUICE – 24/9/14 (TBC)
EXETER , PHOENIX – DTB + JUICE – 25/9/14 (TBC)
TRURO, HALL FOR CORNWALL (WITH RM HUBBERT) – DTB + JUICE – 26/9/14
LEEDS, HOWARD ASSEMBLY ROOM (WITH James Yorkston) – DTB + JUICE – 27/9/14
LONDON, KINGS PLACE – DTB + JUICE – 28/9/14
NOTTINGHAM, THE PLAYHOUSE – DTB + JUICE – 29/9/14 (TBC)
Coming September 2014, on Edinburgh based label Song, By Toad.
After meeting at SXSW in 2011 Juice and David kept in contact about possibly working together. But getting together at the same time is difficult for artists who are busy with their own projects, particularly if one is based in the Far East. Finally in 2013, during a couple of short trips back, David gathered the group in his home town of Otley to spend a few hours recording.
The album spans the hymnal to human beatbox, discord to angelic harmony, with lyrical themes displaying the weaknesses of men, via rural imagery and sombre love songs, to the decline of northern industry and pub brawls. David had some basic ideas; Juice had no idea what they would be faced with. After some short discussion and a little practise the part-improvised tracks were recorded by Phil Snell at LIMBO studios in Otley. All parts were recorded live in one take and kept sparse, underpinned by David’s gentle and often imprecise guitar playing as the accompaniment to four voices.
For some more information on Juice, they have a website: www.juicevocalensemble.net
I will be back in the West with my countrymen soon, I will open three shows for Beth Orton.
Shall dazzle the pants of adoring fanatics, at shows in Glasgow, Manchester and London.
A couple of shows are dotted around in the bright summer month of July.
Stoney Stratford, and the Vortex of London, and some weeks then of biding my time.
Resting perhaps in the warm haze of summer – assuming that nothing arises.
To assume the stage at the End of the Road, and all that that visit comprises.
The September resumption of shows ’round the country, starts with the Waiting Room.
In cozy surroundings, in Eaglescliffe village, before travelling up to the Toon.
South Yorkshire beckons, and a visit to old friends in the undulating city of steel.
After a visit to Leicester, there’s York and Auld Reekie, towns of ancient appeal.
Liverpool, Manchester, cross country East Anglia, then on to the dreaming spires.
Through Bristol, Exeter, Truro and Leeds, to the Kings Place in London retires.
These shows in September, I’m performing with Juice, for an album we’re touting around.
To be certain of tickets and whether I’m being honest, details elsewhere can be found.
“Ten years ago this year we ‘finally’ released what had been about a week or two’s work up to that point: The Complete Guide To Insufficiency. I say ‘finally’ because it was a short road, of minimal struggle, but nevertheless kind of a chore to not only convince anyone that I could be an artist (myself included), but to actually get the world to be bothered to listen to that art. I am extremely grateful to each and every one of the four or five people along that road who helped, lent an ear, gave of a little bit of effort to that project, and to some of the projects that followed, but who have probably turned their backs on those to come. I am honoured and humbled by my fan, for their wavering support and love over the past ten years. I wake up every day trying to muster some motivation to give something back to them that they can rock to and be proud of, but frankly it is often more effort than seems worth it. Ten years later I am still the same insufferable bore from Otley, still here, still lurking in the shadows near the door. The doors may be open, but I promise you I will continue to lurk just outside them, or failing that finally yank them shut”
I know I should pay more attention to all the little things that pepper a modern life. I’m suitably peppered as it is. I am seasoned with living in Seoul. and with having some records coming out this year, and with doing some busying of myself during the daytime as well, a-busying myself with non-musical shapes. I am learning about aviculture of the East.
Anyway, DeeTubbies is getting his groove on for another outing in Seoul. I also spoke to someone the other day, about how we all loved Salad and Suede, and it kind of reminded me, no it did remind me, how 1997 is pretty much the start of everything. HERE: http://www.koreatimes.co.kr/www/news/culture/2014/01/201_150212.html
It has also reminded me that Matthew from Song, By Toad has been the most perplexing of supporters. He is very honest about what he doesn’t like about me, but always manages to make me feel like all I do has some worth, even if it is just to peck his lofty head. Here he reviews the cassette release, Unableto: http://songbytoad.com/2014/01/david-thomas-broughton-unableto/
Then he goes and confuses me further by wanting to put out records I make. He has gone and done a 2014 preview which features a track from the Forthcoming ‘David Thomas Broughton and Juice Vocal Ensemble’ project – we are calling it ‘Sliding The Same Way’ – and the song he chooses to tickle you all with is a brand spanking new idea I had to make a song. It is called ‘Yorkshire Fog’ and is on this teaser of a podcast (Warning Mum, Matthew is a very nice chap but does have a bit of a potty-mouth): http://songbytoad.com/2014/01/toadcast-288-song-by-toad-records-2014/
See you around.